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Photography Workshop Testimonials & Letters
Thanks to all those who have participated, your words are much appreciated Chas These are actual emails or
forum postings from workshop participants:
I have attended numerous workshops over the years. Every one of them
taught me something. Some were good for the package deal on the location
and setups we were shooting. Some were good on Photoshop. Some were
good on photo in the field. My latest one was with Glatzer. Here is
a guy who has done nothing but photography all his life. He has been
in the studio and he has been in the field. He has had formal training
and education. And he truly loves his wildlife and nature. Hey Chas, Just thought you might be interested to hear that a polar bear photo I took from last year's Churchill trip won a runner-up prize in Canadian Geographic Magazine's wildlife photography contest. It will be in the December, 2008 issue. Kind of cool ... this is the third time in just four years that I've managed to place in the CG photo contest (and have a photo published in the magazine). Peter Zwiers I recently attended Chas’ STL Technical Series at Ft. De Soto
Park. What impressed me immediately was that he has the rare ability
to take very complicated subjects, distill them down to just what
you need and get you using those concepts to make great shots of your
own. I went with the intent just to learn flash techniques and came
away with a wealth of information and improvements in my shooting
techniques, in addition to mastering my flash. In short just take
one of his workshops, you will be amazed at what you learn and how
much you will improve your abilities under his instruction. Hey Chas, Just got word that the attached image from our trip to Silver Salmon Creek won the Gold Award (First Place) in the Animals category of B&W Magazine's 2009 Single Image Contest.Thought you'd like to know Jim Mitchell Hey Chas, Thought you might like to know that the attached photo, taken on our Silver Salmon Creek bear shoot last September, won the Flora and Fauna Division of the Banff Mountain Photography Competition. It also won the "People's Choice" award in Outdoor Photographer's Magical Adventures Contest. Best, Jim Mitchell Charles Just got back to Hickory, NC following the Asheville workshop. I wanted to thank you. I believe I have learned more from you this day, than I have, over the past year, from a half dozen other workshop leaders combined. I do hope to attend an instructional tour with you probably in 2008, but hope you might be available for a single day of one on one field instruction in the Asheville area during the period of fall color. Thanks again. Steven Gold Chas, It was my first trip with you and it was easy to understand why many of the participants were becoming "regulars" with you. The trip was well organized and we were successful in achieving most of our photographic objectives. The wildlife was plentiful and the scenics were breathtaking. Your ability to combine extraordinary technical knowledge, an easy going and fun loving personality and a genuine love of teaching, make for a pretty compelling package. I have a number of wonderful images from that trip which will always be part of my portfolio. Just as importantly, a number of of your suggestions about equipment, composition and technique are having a real impact on my approach to photography. Hope to see you soon. Jack Pasht Chas, I just wanted to let you know what a fantastic time I had at the
Newfoundland STL workshop. As a nature/birding experience it was a
10 out of 10 - to that add world-class photography instruction (the
most helpful I have ever had), shooting with a small group of friendly
photographers and great accommodations - well, what more could you
ask for. I will never forget the thrill of watching and photographing
thousands of gannets, kittiwakes, and razorbills at the edge of a
500 foot cliff overlooking the ocean at the rocks at Cape St. Mary's
until the sun finally faded out. Hello Chas, In my previous email I mentioned that I went for my Associate Qualification in May of this year and was upgraded to Fellowship. A distinction which only a few people hold in the country and only the third time ever that someone has been upgraded from Associate to Fellowship. Additionally, I was just recognized as BPPA UK Photographer of the Year for Landscape and Travel. Needless to say I'm still in shock but extremely happy !! I would not have achieved so much in such a short space of time without your help and guidance so thank you VERY much. Darren Holloway Keeping art a side, for me producing technically perfect images is
essential in the process of growing as a photographer. I have been
working on this for a long time and I believe understanding the basics
is more important than walking out with bunch of great reproduction
images. I spent my share of time reading tutorials on exposure, metering
and composition. For sure, I understood the theory behind it, but
putting it into practice was not at all easy. Sid "I recently had the pleasure to participate in a STL Technical Series Workshop with Charles Glatzer in beautiful Brevard, North Carolina. To say it was worth it would be the understatement of the year. Before taking the workshop, I researched most of the top photographer web sites available. There was something about Charles's photography that stood out among the rest. His ability to capture the perfect image was evident in every shot I looked at. So I decided he was the one to go with. I think I was right on. Charles is like a Guru of photography with the demeanor of your best
friend. His knowledge of the subject is unlike anything I've ever
seen. The man is a walking encyclopedia, yet he is able to break the
information down and present it to you in perspective that you are
able to grasp and understand very easily. His wit is entertaining.
The class size is small. And the area is chocked full of opportunities
to capture wonderful images. I highly recommend to all who read this
to treat Dear Chas - Warm regards, Hello Chas Chas it was great fun, thank you. It goes without saying that I am really looking forward to my next trip with you in June. I have also strongly recommended you to one of my photographic friends Regards, I was recently on the Coastal Brown Bears workshop with Chas and I must tell you how impressed I was with the learning experience. I am pretty adept at figuring out proper exposure, however with more experience, Chas teaching us more about light and how important light direction and quality is to the subject and composition, I came away a far better photographer. One can condense many hours of trial and error and reading with his help in the field and classroom. On rain days, he taught me much more about the processing part of photography than I had learned in the past few years and was very helpful. The experience was well worth the price and I am looking forward for more CHAS adventures in the future. Tony Yocum I've been shooting for 2 years, and without question, If I started all over again, I wouldn't hesitate to take a Charles Glatzer workshop from the outset. When it comes to learning, and this applies to learning anything, you cannot beat hands on instruction by qualified people. In Chas' case, he's both formally and practically educated, a combination you just can't beat. Will you learn more in 5 days than you learned in the past year. Yes you will. As far as the cost, that is a relative thing dependent on your available disposable income and how much interest you have in photography. The fees are well in line with comparable Photographic as well as other personal instruction courses in other fields. (Heck, I paid $50/ half hour for ski instruction this winter.) As a side note..my brother spent $2000 for new golf clubs last year cause he was shooting in the high 90's..Now with the new expensive clubs he's shooting in the 120's...but at least he looks cool out there toting his pings around. Moral of the story...he should have spent that money on personal instruction...which he willingly now admits :0). There is no single better way to learn than through personal instruction...and in Nature Photography you would be hard pressed to find a more knowledgeable and enthusiastic teacher than Chas. Steven Sisti Hi Chas, I am writing to thank you for including me in the Katmai Brown Bear workshop. I think this was our fourth time together and each one has added to my competency. I feel you present superior opportunities for folks like me. You pick interesting subjects, find a dynamite place to experience them and set us in front of a wide range of photo opportunities. You are always around with a helpful suggestion, creative idea or constructive criticism. With the small group size the opportunities to interact with you are plentiful. I appreciate the level of technical skill and artistic vision that you have. You bring more and different points of view to your workshops than others I have attended. And you seem to find ways to explain things that I can understand. Oh, and you also seem to attract an interesting and talented group of participants. I find their perspectives also helpful. Thanks again for another excellent experience. Mike We recently spent a wonderfully successful week shooting bears, birds and seals in Katmai National Park of Alaska. This is our 5th workshop or photo shoot with Chas because: a) he puts his clients needs first and always treats them with respect, no matter how many times they ask the same question. b) he tailors his instructions to each individuals' prior experience level and critiques images in a constructive positive manner. c) in the field, Chas is observant of what his clients do, giving essential suggestions that turn average photos into superb images. d) downtime is always filled with constructive learning experiences around camera use and Photoshop. c) Chas is always willing to go the extra mile to insure that not only do his clients capture winning images but have a heck of a lot of fun while they do so. d) Most importantly, because of Chas' expert instruction and tips, our images have become sharp, well lit and even impressive. Guess we've listened over the years! ;) Sincerely, Christine Hansen Carol Zychowski Chas, I just returned from a workshop. I have to tell you...because
you may question yourself sometimes...you are the BEST workshop leader
out there!! I recently attended a photography workshop hosted by Charles Glatzer. The photographic workshop was held at the St. Augustine Alligator Farm in Florida. St. Augustine is a very popular place to photograph nesting birds during April and May. The place is filled with tri-colored herons, great and snowy egrets, and endangered wood storks all building nests, sitting on eggs, and feeding chicks. A photographers’ paradise, except for the fact that most of the day, the lighting is harsh and great images are hard to come by. I signed up for the workshop because I previously saw a presentation by Charles and was amazed at the quality of his images and depth of his photographic knowledge. Current prices for photographic workshops can be a bit much, and because photography in and of itself is expensive, I wanted a workshop where I was assured I would learn several new photographic techniques to improve my photography. Charles did not disappoint! His mastery of a wide gamut of photographic techniques make him especially suited to teaching photographers of all skill levels including even the most advanced amateur. Charles was extremely helpful and answered all of my questions, besides teaching us advanced flash and exposure techniques. Even under the harsh lighting conditions Charles showed us how to get the most out of it, how to isolate subjects, wait for the right moment to capture the “decisive moment”, and most importantly when not to take the shot! This photography workshop was well worth the price and I would highly recommend taking any photographic workshops or “Day in the Field” classes with Charles. His light-hearted and easy-going personality made the trip a complete success. Many of the techniques Charles teaches are very hard to find in books, if they can be found at all. He is patient and takes the time to work with you so you will learn. Everyone who attended had a great time. It is a wonderful atmosphere to improve your photography as well as meet people with similar interests, and make life-long friends. Thanks again Chas for a great time! James Stachecki Passion for photography is not enough; I need teachers who are both willing and able to explain what they are doing and why they are doing it.With Chas, both of these points are met. Regulars at PhotoMigrations will have seen enough of Chas's images to know his abilities are exceptional. Chas routinely produces images that differ not only from what others are creating, but also from his own work. His images contain both technical and artistic elements that make them unique. By attending one of Chas's workshops, I hoped to gain some insight into his photography so that I could incorporate some of his ideas into my own work. And, I got what I was looking in the New Foundland workshop. Chas approaches each photographic opportunity with an open mind. Rather then preconceived ideas, each opportunity is evaluated based on the situation. Instead of imposing his vision on the situation, Chas determines how he can produce the best possible image given the current conditions. If the conditions don't fit the idea, the idea is modified to fit the conditions... Throughout the workshop, Chas worked with each participant to develop
their skills Oh my gosh, where do I begin? This man knows everything! It is phenomenal
the wealth of information Chas possesses and shares at his workshops.
It’s true; the man is as nice as they say. Not once was he impatient
with any of us for asking the same question two or three times. I decided to attend Chas’s 4-Day Technical Photographic Workshop
(Metering/Flash/Post Production/Visual Skills) in August. I am an
advanced amateur who had shot for many magazines over the years and
was lucky enough to have had one my bird photos featured on a Birds
and Blooms/Chase Credit Card. Chas is unique as he is immensely talented
and knowledgeable while maintaining a true sense of being humble about
his experience and knowledge. His workshop transformed how I approach
my photography, and has brought my work to a new level. While I found
that my photography immediately got better as I completed the workshop,
it took several months for the fire hose of information to overtake
my old habits as these habits die hard. My photography is the best
it is ever been and I aspect this will continue to flourish as I aspire
to everything that was communicated in the workshop. Thank you Chas. The trip to Churchill was awesome. I got some “once in a life time shots”, shots that I am showing to everyone I meet!!!. The place was great. Once I got my new coat I was in dreamland. Chas, you really set these trips up to make it so easy for us participants. I show up, see some fantastic wildlife and photograph in vehicles where we are NEVER cramped and have a great time. Cannot ask for anything better than that. Again, I will sign up for where ever you are going (except underwater), if I can fit it in my family schedule.
Joe Chas! Since you are finally around once again I wanted to share some news. It is hush hush (press blackout) until October but thanks to some good teaching by you some luck and a splash of skill I am on my way to London. Yes, "Highly Commended Winner" in the Shell/BBC Wildlife Photographer of the Year....birds category! They had 32,000 entries this year....yikes! No one can post, etc until October but did want YOU to know! :) Shhhhhh!!!....and thanks! :) George DeCamp I recently attended the New Foundland 2007 STL instructional photo workshop with Charles Glatzer. I have attended photo workshops with a number of different instructors. I can say that Chas is among the best and most enthusiastic workshop leaders I have encountered. He is a walking encyclopedia of photography and Photoshop knowledge. He constantly thinks outside the box and encourages others to do so as well. I highly recommend his workshops to anyone wishing to take your photography to a higher level. Art Peslak Hi Chas, Thank you for the wonderful experience we had in the Newfoundland trip.The group was very enjoyable and your instructions excellent, the manual flash class really unveiled the mystery. This is not going to be the last time we share an adventure, you can be sure of that! I can definitely recommend the STL workshops. Fabs My husband, Glenn, and I have been to several of Chas’s photography workshops and ever since the first one, we can’t wait for the next. The workshops, like the photographer/teacher, are unique. Each experience offers an opportunity to learn how to combine the elements of the “science “ of creating a wonderful image and the “art’ of imprinting yourself, the subject and that moment in time on your image. Chas is a master in taking each person at what ever level of expertise and bringing out greater understandings of technical aspects and helping develop individual style. We look forward to our next experience! Glenn and Dora Bianchini I attended the St. Augustine STL Tech Series and all I can say is wow! I was a little hesitant to attend because I afraid the classes would be too advanced for me. But Chas does not expect all of his students to be at the same level. He devotes time to each student and works with each student at their skill level and helps them advance to the next level. I appreciated the time that he took with me to explain things and the comments he provided about my work. I now look at my work with a much more critical eye and see things I didn't notice before. Chas also isn't afraid to share with his students the tricks he's learned over the years to create those amazing shots. I thoroughly enjoyed the workshop and can't wait to take another one from Chas. Shelley Hi Charles! Well, I guess by now you have been to Alaska and back and captured more great images! I will definitely be taking one of your trips with you! I just wanted say, "Thank You!", again for hosting a CNPA workshop. We have had nothing but great comments about you and the information you shared with our group. I can now see why you have a lot of repeat customers! Best regards, Danny Wilson “The Nature and Wildlife Photographers of Long Island was founded in 2001 by a small group of talented photographers. This growing organization shares a commitment to respecting the environment while documenting the beauty and diversity of Long Island and its surroundings NWPLI has now been honored by Nature’s Best Magazine with "FIRST PLACE", 2006 and twice with “Highly Honored” awards in the camera club division. Chas, you have been a co-founder, a friend, and a mentor to many of us. We would like to thank you for your continuing guidance and support. Your teachings have helped us to explore the medium and to succeed in producing top-quality images.” Cheers, Lou Buonomo VP and the members of NWPLI Chas Glatzer’s STL De Soto Workshop – A Wrap Up All in all this was the best technical workshop that I have ever attended. I saw an immediate improvement in my shooting technique that translated to improved images both compositionally and technically. The flash and Photoshop instruction were my favorites, but each day’s instruction was invaluable. Besides the expert instruction, Chas’ personable manner made the workshop a pleasurable learning and social environment for all. I did not hear one word of disapproval from any of the participants. Of particular importance to me were all the little tidbits of info Chas told us about marketing your photos. Like his 4x6 business card portfolio and when you shoot a subject, shot a horizontal, a vertical, a tight shot and a wide shot. That makes it more sellable then 20 shots of the birds head moved ever so slightly in each. Chas’ passion for the bears makes me look forward to taking a bear workshop with him in the future. I give a hearty recommendation to anyone considering one of Chas’ workshops. Robert Amoruso - Winner Nature's Best '06, Bird Image I have recently returned from the Triple-D Winter Workshop with Chas
and I'm still on a high !!! What a fantastic and enjoyable time I
had. From day one the teaching began with a "Day in the Field"
training, covering all aspects from exposure, flash and Photoshop.
Keeping it simple and consistent was the key and boy did it help.
During the actual workshop, Chas made time for anyone who needed it
and would go over things again and again until everyone understood.
Chas's knowledge and experience is so extensive he is like a walking
talking search engine on photography. Chas made learning fun and he
is so passionate to help and still gets a big kick out of photography.
He is a natural teacher and one I would thoroughly recommend. Not
only that he has a wonderful sense of humor, which helped keep us
all laughing. The workshop group was a good mix of people and we all
got along, so much so it felt like you were with friends doing something
we all enjoyed. Traveling from the UK was always going to be a downside
but it was worth every minute of it. Chas, We wanted to thank you again for the excellent Bosque del Apache workshop. We appreciated your helpful information and attention paid to each individual. We were really impressed when you came over to give suggestions when we did not even realize we were using techniques improperly. Your willingness to let us try your "bigger" lens was very thoughtful, although it resulted in greater expenses for us since we then had to have one of our own! In spite of having taken several other workshops, we learned new approaches to exposure, flash and actually getting the sharp action shots. In fact, we were so impressed with your teaching, that we signed up for the technical workshop in April so we could learn more from you and expand our knowledge of practical techniques to use regularly in the field. See you soon! Carol and Christine Hi Chas, I want
to thank you for the STL Tech Series Workshop I recently attended
in Pisgah Forest, NC. To say I learned a great deal would be an understatement.
It is evident that you enjoy teaching photography as you address each
question with such enthusiasm. Your knowledge of exposure, flash,
and postproduction has helped me tremendously with my photography.
Sincerely, Rusty Trump Dear Chas: Chas, Chas Glatzer has an unusual knowledge of the camera mechanics and
neccessary elements of composition for taking great photographs. He
also has a wonderful understanding of Photoshop that will help make
photographs "pop". In addition he has the unique ability
to explain all of this to budding photographers in an easy to understand
manner while keeping it fun at all times. The May Black Bear workshop,
as I'm sure all his workshops are, was spectacular. There is something
for everyone in Chas' workshops, one could not help but learn a great
deal about photography. First, let me really say thanks for great times with the eagles and black bears, and a recent fantastic week with the brown bears in AK. I know I improved just by being there and following your instructions. I know I asked a million questions but you answered everyone of them with enthusiasm…questions I’m sure you have answered a million times before. I know I still have a long way to go but I can see my improvements. Plus you are a “nice” guy and fun to be around. You can tell you really enjoy doing what you do. You handle problems very well and do not let them bother you, and you do not sweat the small stuff! That is a great virtue to have. You also set these trips up so the participants don’t have to worry about anything except getting “the shot YOU ‘DA MAN in my book. I really felt great when my wife kept saying how good my photos of the eagles came out. (I only showed her my best and I know the photos could still improve but I accepted the complements made possible from your training!!!) I’m tired but I have a glow from the comments. I am now signing up for '07 Yellowstone, Loons, Brown bears and Africa, heck I want to sign up for every trip open. Joe Barranco It was a pleasure and great learning experience photographing alongside you at the STL Tech Series in St. Augustine this past weekend (way too may white birds though). Prior to the workshop, I saw myself as a competent photographer, but my ratio of properly exposed images wasn't too high - some good photos but a whole lot of badly exposed ones. After the metering and flash segments of the workshop, my properly exposed ratio was substantially higher, even with the experimenting. In reviewing my photos, my wife even commented about the exposures being spot on. Those two sessions alone made the weekend extremely valuable in my growth as a photographer, as I could see the difference between the photos I shot Friday morning compared to those shot later on the weekend. Your teaching style and being able to explain things in a easy to understand manner made the workshop both fun and informative. And you do have a good repertoire of stories that are quite entertaining. Thanks again for the information and guidance. I am definitely planning an STL location workshop (somewhere other than Florida) next and will absolutely recommend your workshops to anyone that might be interested. Thanks again. Rich Ikerd 06' The Eagle shoot at Homer, AK was great! I have never seen as many Eagles in one place – making the photographic opportunities outstanding. The people on the shoot were a good group and I believe we all had a fun and very productive time. The workshop sessions were a great help to me and as always; I walked away with valuable information, about everything from pre-visualization to composition as well as Photoshop techniques. In addition to the eagles, the opportunity to shoot sea otters and moose only added to the enjoyment. Too bad, we couldn’t make the volcano run – maybe next year. I’m already thinking about next years shoot. Thanks again for a great workshop. Tom W. 06' And a special thanks to Chas for the Nov/Dec 05' cover image....................in
my nearly 10 years as the Photo Editor for Birding, I truly feel this
is among a small handful of the very finest covers we've ever produced.
If you're not familiar with Birding, each issue is now "thematic"...............the
theme for the December issue is birding Alaska and I wanted a cover
image that said "Alaska"!.................I don't think
we could have done any better than Chas's wonderful photo! Greetings Chas: I want to thank you again for all the time, effort, and personal attention you gave us during the recent Ft. Desoto Technical Workshop. The amount of information, tips, and techniques you presented in such a short time was truly amazing. Thank you again so much for the loan of your 300MM lens and 2X teleconverter. It was great to have an opportunity to shoot with something other than my 100-400. It isn't without mixed blessings though - some of the shots I took with your lens are among the best I have taken. I recently attended the Ft. Desoto STL Technical Workshop and was pleasantly rewarded with Chas's willingness to share his wealth of photography experience. Chas's teaching style is a mixture of teaching, with lots of examples, and encouraging any and all questions, putting the class at ease. The participants obviously had a wide range of experience. No question was too simple and all were answered with professionalism, the knowledge of years of experience with every type of photography, and humor. I was particularly interested in the day on metering as I had been having considerable trouble with consistent exposures. I had read a recent article on incident metering, Incident Metering and Digital Photography by Charles Glatzer (Nov. 2005), in Naturescapes.net. It made so much sense I purchased a light meter prior to the class, which I used successfully with definite improvement in the consistence of exposures. The day on flash exposures cleared up much of the mystery of balancing flash and ambient light. Photoshop - well, lets just say I've read several books and taken courses and Chas showed us things I've never seen anywhere. The time in the field was invaluable with Chas giving much individual instruction and attention. There's something in Chas's Technical Series for photographers of most every experience level and I would recommend a STL workshop to anyone who wants to take it to the next level and have some fun and a great experience at the same time. I hope to see you at the AF this Spring. Alan Bourne 12/05 Before I met Charles I was already impressed with his exceptional images through the web. As a technical editor he often passed along information that improved the work of many of us. I ran into him in the field at Bosque NWR a couple years ago and had dinner and learned what a fun person he was to hang out with. I remember shooting with him as he repeatedly nailed tack sharp head shots of Sandhill cranes in flight. It did not take me long after that before I signed up for the unique underwater experience photographing Manatees in Crystal River Florida. It was a totally new experience for me and I was definitely out of my realm. His tireless teaching ensured that all had a productive and fun trip and came away with new knowledge and friends. Charles is truly a master in the field, underwater, or in the studio. He applies his vast knowledge and experience to any new venue and comes away with images that inspire and awe. Chas stays at the top of his game with all the latest technology and techniques. It is often said that luck favors the prepared so we often see that he gets more than his fair share of “luck”. My latest trip was Churchill, Manitoba, (Nov-Dec 2004) to photograph Polar Bears. I had done another Photo trip here three years before. It was easy to see half way through this workshop that I had raised the bar and was consistently getting the images I envisioned. Beyond all that we had a lot of fun in the process. I have done a lot of photo workshops, photo tours, seminars and classes. Obviously, everyone is looking for something different from a workshop experience. I can say that the Shoot the Light workshops are outstanding. Charles can individualize and adjust his instruction to any level that a participant might need from basics to advanced digital post processing. With a wealth of tricks, tips and insight on any situation that he selflessly shares, everyone comes away a winner. I have seen many photographers raise their craft to the next level after an STL encounter. I can highly recommend that anyone considering one of these workshops, GO FOR IT! Stephen Sage I just attended Chas' Black Bear workshop in Minnesota and would highly recommend that workshop as well as any other workshop with Chas. Chas is an extremely knowledgeable and gifted photographer with the ability to pass along his knowledge in a manner that is easy to understand. He is enthusiastic about his work, very patient and is willing to spend as much time as is necessary in order for the workshop participant to learn what he is teaching. It was very clear to me that it was much more important to Chas that the participants have a great experience than he get photos for himself. As to the Black Bear workshop itself, I never thought
that I would be able to get as close to the bears as I was able to
and to see the number of bears that I did. That, by itself, was an
experience. The workshop consisted of a very small group of participants,
which enabled us to get more individualized attention if requested,
prevented the participants from getting in each other's way and generally
provided a more comfortable and personal experience. We spent most
of each day (depending on the lighting conditions) at the black bear
sanctuary enabling the participants to get many photos (glad I brought
a number of flash cards and a storage device with me to the sanctuary).
The workshop was a learning experience for me Chas, Every time I go through pictures and the exposure is right on (or a heck of a lot closer to right on than it was two months ago!), I think to myself, I have to send Chas a note to thank him for all he taught me. The first thing I did when I got home from your workshop was to order an incident meter. It's so great to take pictures and not have to worry about the background! You were an excellent teacher with a lot of patience, enthusiasm and a great sense of humor! I really enjoyed the workshop and hope to be able to take another sometime soon. My next mission is to conquer the flash! Now that will be a challenge for you!!! Cheryl was a great asset to the workshop -- very knowledgeable and
fun to be with. Kim S. 07/05 I'm a Believer.... having just attended
Chas' fantastic loon shoot at Lake Nettie. His technique of incident
metering and using flash in the manual mode certainly made a world
of difference in my ability to get the correct exposure on the loons
despite vastly different BGs. Chas not only shoots the light but teaches
one how to control the light as well. What a great learning experience. I recently returned from a four day Technical Workshop with Shoot the Light – wow!! I had no idea how little I knew until Chas started explaining metering, flash, postproduction and visualization. We worked both in the classroom and in the field from dawn to dark and I learned more in four days than I would have on my own in years. Metering – Chas went through the basics of five different metering methods and explained when to use each. He thoroughly explained the difference between incident and reflective metering and why you use your camera’s reflective meter sometimes and your incident meter other times. He really helped me get my head around the whole metering concept. Flash – Good golly, who knew how versatile that little item, could be outdoors. Chas showed us six different situations where flash would enhance a photo or enable you to shoot when you otherwise wouldn’t. I was amazed at the versatility of flash as an extra tool in the bag. It allows you to shoot much earlier, much later, and much more in the middle of the day than I would have ever imagined. Post Processing – Chas introduced us to various programs that greatly expedite workflow and he showed us tons of shortcuts. It would have taken me forever to figure all that out. Chas’ background as a former lab owner and commercial photographer enables him to see colors and tones better than most and he understands the nuances of post processing in an amazing way. He’s fearless about exploring the possibilities of PhotoShop and it’s obvious from his vast amount of knowledge that he has spent hours working with this program. Visualization – What can I say; you can just look at Chas’ photos and see someone on a plane above. Chas sees artistically and thinks technically and his photos show mastery of both. Looking at his work and listening to his thoughts on lighting and composition was extremely helpful. Chas is a great teacher with endless enthusiasm who makes every situation fun. I would highly recommend this workshop to anyone who wants to increase his or her technical knowledge and have a good time in the process. D. S. Chas, I recently took your Black bear and Loon STL's and I just have to share my thoughts on your STL workshops. I have been taking photo workshop vacations since 1988. I have been on many with the "larger" names and "larger" group size. I have never been on one that taught me more than your STL's. First, you are a great teacher and make learning fun. You helped me get back to the photo basics and this allowed me to capture some great images. Your total availability and dedication, from sun up to sun down is amazing. Most other workshops have breaks during midday, but not yours! We are either shooting or learning. Limiting your group size is, in my opinion, one of your greatest assets. The small group size makes for a more comfortable photography experience.
No hoards of people or tripod legs competing for that small space
to get a good angle. I know you could probably make more $$ by having
larger groups, but after meeting you, I know that isn't the reason
you conduct workshops. I felt you got just as much pleasure of helping
me make a Cheryl is a wonderful addition to theSTL's - very knowledgeable and helpful. Again, thank you and like Arnold - I'll be back!! Ginger Holser 05' I have been on 4 workshops with Chas Glatzer over the last two years. During that time, I have seen my photography improve dramatically, not to mention my understanding of Photoshop. Chas teaches so much more than the basic mechanics of how to use a camera--Chas teaches you to see with a photographer's eye. For Chas, light is as much a subject of the image as the mountain lion or bear. Light has character and definition. By understanding how light influences all that we do, it is possible to take photography beyond a simple recording of what we see, and transform it into a natural art form. With great good humor and boundless enthusiasm for what he does, Chas is the best photography teacher I have found. I look forward to many more workshops in the future. Michelle Gilders, M.A. (Oxon), Writer, biologist, and photographer 05/05 Chas- Just wanted to thank you for the great workshop at the St. Augustine Alligator Farm If I had to describe this experience to others considering attending
here's what I'd say: Chas thanks for your hard work and effort during the tech workshop at the Alligator Farm!!! I went with high expectations having shot previously by your side and seeing the images, you produce. My expectations were surpassed and I was able to learn new techniques and get re-acquaint with forgotten ones!!!!! I started shooting all manual (Leica) and over the years drifted more and more to the auto functions. You have open my eyes and showed me many new things with the flash that will be invaluable. I want to produce the very best images I can and you have made it possible to go up one level. Anyone wanting to increase their knowledge would do well spending some time with you. Your teaching methods and ideas are unique (not many people can say that) and I am looking forward to going out with you again. Very best wishes Alfred Forns. 04/05 My recent participation in a “Shoot the Light” workshop
with Charles “Chas” Glatzer was awesome! Bob Peltz Chas, Couple of quick thoughts on Homer. A quick inspection of 2004 compared with 2005 leaves me very happy. Running quickly through a set of both shots, it's easy for me to see the improvement from one year to the next - and then thinking of my 2005 shots and your 2005 shots it's easy for me to see how much room for improvement remains! :) Last year I was focusing on getting some basic shots, often static and portrait shots, but the eagle show was all new to me and I was getting the shots I wanted. This year, I went back with the goal of getting eagle interactions and shots that are more dynamic. As such, I was certainly pushing the envelope in terms of my ability. Nevertheless, I have to rate the trip overall as an overwhelming success. You also do amaze me with you continued ability to present PS material and techniques that I've not seen and which is incredibly useful Thanks again for all your assistance! (I still have to work on both manual flash and shifting the focus lock from the shooting button!) Can't believe we will be in Utah for another STL in a week! Rich 03/05 After about three months of avian photography, I felt the need to light a fuse somewhere in my body. Viewing Chas’s images and reading his commentary about issues technical and esthetic, I surmised that he was the professional for the job. In late May, 2002, we met at Alligator Farm in St. Augustine, FL, and spent nearly three days, one on one, talking about little else than photography. Putting his concepts into practice in the field allowed me to accept his methods fully or to modify them to my tastes. Viewing our images during evening hours was the icing on the cake. I came away from that session with a strong grasp of setting up for a shot, incident and sunny-f16 metering, and flash techniques. Persons with whom I shoot marvel at how my flash seemingly is soldered to my lens apparatus (they do not realize that it is not always turned on). My knowledge has been reinforced by another session with Chas in early February, 2003, in the Tampa/St. Petersburg area. Whatever modest technical skills I have achieved are in large part a product of Chas’s efforts. Chas has few peers
in the art and science of creating exceptional images of birds. His
grasp of flash photography is second to none. With an easygoing, low-key
manner and an excellent sense of humor, he captivates his students.
Extending through most of North America, his “Shoot the Light”
Instructional Photographic Workshops are unsurpassed. James A Galletto E.J. Peiker - NPN Field Editor/Forum Moderator/Gallery Mentor I want to share my positive experience working with Chas Glatzer. I spent "A Day in the Field with very specific areas (shooting in difficult light) I wanted to improve, and after the day, I felt much more confident in my abilities. I have just seen my prints and I feel even better. So, obviously I learned much. I think one reason Chas is so effective is that he listens well and then responds in an articulate, easy to understand manner. Obviously he has tremendous photographic talent, but he also is a good educator – now matter how sophisticated or simple the question or problem, and there is no ego involved - he is very comfortable letting you do something your way, then explaining an alternative that usually is better. So, as I identify specific areas I want to fine tune in the future, I will use Chas. It’s the quickest fix I know. Wink I attended a Shoot the Light Black Bears photography workshop hosted by Charles Glatzer in August of 2002. I started reading Nature Photographer's Net (NPN) Readers Forum in February of 2002. Almost immediately, I knew I wanted to study under Charles. His images had a certain drama in composition and use of light, which were attracting a great deal of enthusiasm from the other photographers, professional and amateur, on NPN. I contacted Charles by email about attending his Black Bear course in Minnesota. I received a prompt and courteous response from Charles indicating there were still a couple of openings left. As soon as I sent in my deposit, I started getting excited. Before the workshop, I continued to follow Charles' posts on NPN to try to learn as much as I could about his style and technique. I hoped that this would maximize my learning at the workshop. I emailed Charles several times with questions regarding equipment, light meters, and other photography related questions. Despite his hectic shooting and workshop schedule, he always seemed to have the time to respond to my questions. The week before the workshop, Charles had the forethought to contact the hotel to make sure everyone's reservations were in place and the group was ready to go. As it turned out, a computer problem at the brand new hotel facility caused loss of the reservations. Charles contacted each of us ahead of time so we could get the reservations back on the books to avoid a hassle at check in. Upon arriving at the hotel, the desk clerk handed me a note from Charles indicating for me to phone him on his cell phone. Because he had not previously offered this location, Charles had arrived 48 hours in advance to look at the shooting situation, light conditions and get a feel for the general behavior of the bears. I phoned Charles and he indicated that the group was meeting that evening for a briefing on safety. We would be meeting on location with the bears! Of course, I was a little nervous about meeting Charles and the other people in the group. I immediately put that aside. From the very first moment, Charles treats you like family. He has a genuine humorous nature that breaks away all barriers. I could tell already I was not only going to learn a great deal about photography but I was going to have some fun as well. We had our orientation and everyone was excited about the next day. Before leaving for dinner, Charles went over some important exposure information. Due to the weather (overcast with sun in and out of clouds) and the behavior of the bears (moving in and out of the canopy of the trees) exposures were going to be constantly changing and tricky. To eliminate variables, which could result in failure, Charles had worked out how the evaluative meter on Canon and Nikon equipment would respond under the exact shooting conditions compared with incident meter readings. Armed with this information at the start, the group was further ahead in terms of securing "keeper" bear shots. During the days that followed, we photographed bears in near dark conditions, in bright light and even in the rain. We photographed cubs at play, in a tree, and even a bear bathing in the creek. Charles was able to answer every question the group posed with simple to understand solid information. Charles used his digital histogram information to verify exposure readings for those of us shooting film. We worked dawn to dusk every day. Several times we took a short lunch break to review digital images that Charles had made, using this information to adjust our exposures and compositions accordingly. On member in our group had recently had knee surgery and it was clear, moving the equipment from this place to that place in the field was a struggle. More than once I saw Charles moving gear for his student. I have been on a number of photo tours over the years. I enjoy not only learning from professional photographers but the group interaction is usually entertaining and educational as well. On this trip, I not only learned a great deal about photography and made some lifelong friends, but several times, I laughed so hard my sides ached and my eyes ran with tears. Hands down, this was the greatest photography tour I had attended. When I arrived home, I started looking at Charles' workshop schedule and my own work schedule to find a time we could shoot again together. Charles has an endearing personality. He is genuine and humble despite his many accomplishments. He has a humorous nature, which makes learning fun. His approach is positive and encouraging. He is as approachable as your next-door neighbor is. He knows his craft cold and pursues it with seemingly endless energy and an enthusiastic passion. For anyone who wants to advance their photography to the next level and have fun doing so, consider working with Charles one-on-one or as part of a Shoot the Light photography workshop. Dennis K. Olivero This is a long overdue review of the Charles Glatzer Workshop at Bosque (Nov 2002). First of all, this was my first workshop with Chas. It will not be my last... We spent three, very long, days working every aspect of Bosque del Apache. Chas was constantly working to make sure we made the best of what Nature had to give us. If there were photons out there, we were using them. We were shooting in utter darkness in the pre-dawn hours, under the blaze of a cloudless afternoon, and long after the sun had set... all the time learning what exposures and creative techniques were the best to extract great photographs from each day. I'm technically competent with photo equipment and I went into the workshop wanting to learn how a professional approaches a job like the birds at Bosque. Months later I'm still reviewing my images, checking my notes, and learning lessons from what we did that week and I know I'll be a far better photographer because of the workshop. I've already modified my technique and feel that I've "relearned" how to do exposure and composition (and that the "photographic day" is about 3 hours longer than I thought it was). I came away with a lot more than I had expected -- and a few memorable images to boot! You can't ask for more... Great location. Great teacher. Great company. Thanks Chas, - Dave I got back earlier this week from my second workshop with Charles Glatzer. I also was on the 2002 Maine workshop. Since 1994, I have also taken many other tours and workshops with other photographers and done many trips on my own. I just wanted to say publicly how impressed I am with Chas. Anyone here who looks at his posts knows what a talented photographer he is, how he teaches with his posts and is always willing to answer questions. These qualities are amplified in the field. I have learned a lot by watching and listening from him both on and off the field. He has also been very helpful with PS7 questions. In addition, the workshops are a LOT of fun. I have had a great time with the other participants on both trips even when weather (manatees) or scarcity of targeted subjects (Maine moose) could have put a damper on a trip. Therefore, if you were considering a photo workshop, I would highly recommend Chas and STL. He has a wide variety of workshops to a lot of interesting places. I also look forward to meeting more NPN'ers on the trips I go on in the future. Thank again Chas. See you in AK for the grizzlies, and Jasper for the sheep and elk. Cheryl I
was exhibiting at my first DEMA Dive show in Anaheim, CA about 5 years
ago when I saw a shot in a magazine of Rainbow Trout taken in the
Connetequot River. About six months later, some guy comes into the
camera store proclaiming to be an underwater photographer, and I recognize
the name: Charles Glatzer. I value his knowledge,
his passion, and his love for photography. Dan N. I was fortunate enough to take a one-day seminar with Chas this past January. We went to Jones Beach to shoot some photos of the Snowy Owl, what a cool day I had! Started at his place at around 5am and we drove to Jones Beach, set up the stuff and were on the beach before the sun came up. Just to let you know we finished at SUNSET! That was a long day for the price and well worth it in my book. Looked at our photos on his laptop right after they were taken and even got to use the D1X as well as try his 400mm lens on my F100. He is a really nice guy as well. If you have the extra money and want to learn you will be happy you did. I am looking forward to another one day before too long myself. Additionally,
I have taken two one-on-one days with Chas, once this year and one
a year ago. I know so much more now because of them. Signed up for
an Osprey 3 day workshop here on Long Island in June...should be a
blast! George (DiverX) This past May I participated in a Charles Glatzer workshop in Long Island, NY, and I can tell you it is definitely worth it. Though I have been taking pictures since I was eight, I have been working toward making photography a new career for the past several years. I took my first workshop last October in Jackson, Wyoming, hosted by a past National Geographic photo editor and at least eight very well known professional photographers as the instructors. It was billed as a Wildlife/Nature photography workshop, though only one of the instructors was actually a wildlife photographer, and there were more than 45 students. It was a great experience, but not what I hoped for, and I doubt I would ever do it again. Mostly I learned about the instructors work, but felt I learned very little about making better images myself. I suggest you spend some time looking at Charles' (Chas) images posted on this site and you can clearly see that he is an incredible photographer. What makes the workshop great is his capable and enthusiastic teaching style, showing the participants how to make equally great shots without the aires or ego observed in many less talented pros. Unlike some "big name" workshops that I am aware of where if it rains or the instructor needs a nap, the students are on their own, Charles is there with you all day working within the days conditions to present the best possible experience. We started early and went late every day. It was evident in pictures that my work was better the first day of the workshop. I left after four days a much better photographer. I am now shooting almost completely manual, feeling more confident about my ability to make the best of the photo opportunities that present themselves and have a lot move pride in my work. I hope this long-winded reply helps and good luck making your decision. If you decide to do it, get plenty of rest beforehand, because you will be tired, but the new images you'll have will help block out the pain. Brett Breeding As recently as early July, I took a 3-day workshop with Charles. I had three goals that I wanted to achieve. My most important goal was to correct, what I have noticed for some time, my weakness in calculating exposure and the use of flash. I knew from looking at the work Chas had put up on this site that he was a person that I wanted to show me how it is done. Lastly, I knew that Charles was familiar with both chromes and digital. I knew that I would be able to pick his brain on everything I needed to know about scanners, digital cameras and so on. Chas, btw, is very patient, and will be able to focus in on what ever your shortcomings or concerns are. That may be what separates him from many other photographers/instructors. When you think about the time you spend with him, and your results, you'll see that it is a well worth it investment. Mike Brooklyn I have never taken a workshop from Chas or anyone else but what I can tell you is that those that do, cut years.... many years from the learning curve. I see photographers posting here that are relative newcomers to the field that are taking professional quality photographs that for most take many years of struggling. What many of them have in common is that they have taken workshops from the likes of these guys. I have been in the company of Chas when he was conducting "Day in the Field" workshops and I can say without hesitation that his clients were without exception satisfied with the instruction they received. Jim Zipp I have attended several workshops including a couple with Chas as the leader/instructor. The most recent was held in Newfoundland, so I'll focus on that and maybe help you decide what is right for you. If you have been looking at the various forums, I don't have to tell you that Chas knows what he is doing. Take my word for it that he can and is willing to teach others. As far as I know the only information he holds back are some of his "secret" locations on Long Island. We will get that info eventually. The workshop in Newfoundland provided numerous photo opportunities. Chas really did his homework and got us a tour guide who was second to none. He knew where to go, and in most instances knew someone when we got there. The guide, David, provided all the local ground transportation and several boat trips. That left the rest of us the time to concentrate on seeing and photographing the sites. By keeping the groups small and being flexible it enabled everyone to pursue their favorite subjects. Although birds were the primary target, one of the group members was more interested in the local flora. Once that was made clear to Chas, he made sure he spent time going over the best ways to handle different situations. As I said we were primarily shooting birds, but when the right plants presented themselves Chas was there with reflectors, diffusers and lots of advise and hands on tutoring. I believe we all enjoyed the change of pace. Remember though that even Chas can't read minds. Sometimes you have to tell him "Hey, I need some help here". Once you do that you will get all the help you could wish for. The other thing to keep in mind is to watch and listen while you're shooting. On this trip Chas shot exclusively with a D1x. As soon as we would get back in the van to move to a new location, he was able to download to his laptop and then discuss the photos that were just shot. A great learning tool. In Newfoundland in June, the days are long and we took advantage of it. The day/night that Chas shot this month's cover, we wound up having dinner at around 11:30 pm. David thought we would be upset if he couldn't find a fine restaurant. Chas explained to him that the 'FINE LIGHT' was more important. Bill I shot with Chas last year at Bosque. Unquestionably, I could've gotten by without spending the money on the workshop and just hung out there by myself. By being with the group, I got to watch a world class photographer shoot some incredible images right next to me. I reviewed his shots, compared them to mine, and had immediate feedback on what was working and what wasn't. As others have said, a lot of learning took place in a very short period of time. Kind of cool as well was the incredible encouragement he gave me because of the images I took. It goes both ways when you're working with a leader/photographer committed to excellent photography. Tom Hill I would like to endorse everything that Jim Erhardt and Brett Breeding have already said. I am a satisfied participant and Chas will certainly get repeat business from me - Black Bears, Minnesota, and Brown bears 2003. Phil Shaw I attended the 3-day Bosque workshop last year and wished I had been able to stay for anther 3 days. I was an inexperienced photographer and was not sure what to expect. I wanted to spend some time with other nature photographers and get a better understanding of exposure. I can say that I definitely walked away with my money's worth. Chas was a great instructor and helped tailor the course to meet everyone's needs & desires. I was happy enough with the workshop that I want to attend another this year. I am working through the logistics of family, work, and vacation schedules to fit in one of the upcoming workshops. If you have, any questions feel free to email me. Bob Wright Chas
is a wonderful instructor. As we all know there are no guarantees
with nature and particularly wildlife subjects, no matter whether
we had poor conditions or good, he made the most of the situation.
The trip was a blast and I would highly recommend an Glatzer workshop. Cindy Marple So
the question you are asking yourself is, should I go out with Chas
on a workshop or Day in the Field? If you want to become a better
photographer in the shortest amount of time, the answer is absolutely,
YES! Bob Ettinger Dear Charles, On behalf of the US Fish and Wildlife Service and the Homer Chamber of Commerce I want to thank you for having been the keynote speaker at the 11th annual Kachemak Bay Shorebird Festival in Homer, Alaska. Your work is truly outstanding and your dedication to wildlife preservation was greatly appreciated. Your passion for photography, your skill and extensive experience inspires novice and advanced photographers alike. We greatly appreciate your generous time commitment to the field workshops and photography presentations you held during the festival as well as your generosity in making your Homer bird images available to us. Your support greatly benefits the educational objectives of the festival. It has been a pleasure working with you, and we are looking forward to seeing you again in Homer soon. Sincerely, Chas, Just wanted to
drop you a note saying thank-you for the great day this past Sat.
I really enjoyed shooting with you and learning from a master.I learned
a lot by watching your technique, and little things like how to carry
the camera on a tripod. I am studying my Nikon Handbook and between
the book and what you taught me, the Sunny 16 has sunk in. The only
bad thing is I have to work a lot more now to buy all of these new
toys we talked about. I am serious about your Manatee workshop in
Feb, please put me on the list and let me know when you have dates.
I will be checking out your St. Augustine shots as I will be there
end of June. Hope you have a great Florida trip, and thanks again
for your patience and knowledge. Take care, Michael Charles, I had a great time yesterday and I learned much. I found the "Day in the Field" shoot to be ideal. The "one on one" nature of the instruction allowed me to get answers to some very specific questions that I had, and I know I will do it again (hopefully in better weather). You are an excellent communicator and you can explain, and illustrate the technical issues very well. I also appreciate your willingness to divulge some of your "trade secrets". Thanks again, Kevin Ferris Chas, Outstanding, challenging,
educational, insightful and inspirational are just a few of the adjectives
that come to mind after my first The students were
also admonished to look for the action. To be prepared for that once
in a lifetime opportunity. Examples were I have come away from the workshop with hundreds of beautiful images, lots of technical accomplishments, wonderful memories, new friends and ready to signup for another. Wil Hershberger 2003 I just wanted to comment on the great Workshops at Wakodahatchee and Alligator Farm this past May (2003). First of all, Chas worked with me for the better part of two months before I could determine if I could go due to my teaching schedule. Once I was registered I was given all the information that would be needed. He also answered questions that I had prior to the workshop. I am just getting started in avian photography so my concern was that I would be well behind others in the group and struggle to keep up. What I discovered about the workshop was that what mattered most was your desire to learn….no matter what your level was. It is a group workshop and yet it is individualized. You are encouraged to ask as many questions as needed while being given instruction along the way. You are also given opportunities to show your work, have it critiqued and learn Photoshop techniques. I personally wanted to learn more about exposure and composition before tackling other things. The workshop gave me ample opportunities to shoot different species in all types of light and settings. The more you can shoot, the more you can learn, especially with digital. Chas explained exposure in simple terms and encouraged me to move from the camera metering to manual with incident metering and Sunny 16. With the knowledge and confidence to change, the exposures of my pictures were on the money. In the past it had been strictly hit or miss which was frustrating. I left the workshops with some very nice pictures that I’m proud of as well as the confidence to use manual mode. Chas is a wonderful instructor who is always concerned that you are getting the most from the workshop. His sense of humor can keep you going….even during thunderstorms. You can learn as much by just watching him shoot as you can by listening to him. He also spends time observing your technique and will make suggestions when needed. He can help you with any aspect of photography…..you need only to ask. I believe the Chas's workshops are as good as they get. Not only is the instruction superb but the choice of locations, time of year, and subjects meet the needs of all nature photographers. As a matter of fact, I will be attending another workshop later this summer in Newfoundland as well as keeping my eye on others as they become available. Lana Hays Charles, I would like to
thank you for a wonderful day shooting out in Setuaket area. The experience
definitely whet my appetite for another session. I learned so much
about exposure and composition from just that one day. I would highly
recommend the "Day in the Field" session to anyone who loves photography
and wants to get better. Now I have a list of stuff to get!! Thanks Well, I was stupid. STU-pid. I got my 500mm lens in May and thought to myself...I want to learn how to do 'everything' before spending some time with Chas - this was a mistake. I learned SO MUCH today that I could have been using in the field the last few months, and my pictures would really be much better. Don't make the same mistake I did. I think I'm a decent photographer, post Chas-time. I had very specific goals today, and prior to my 'Day in the Field', Chas took the time to discuss these goals earlier in the week, and went over my portfolio to get an idea of 'where I'm at'. I finally asked alot of what I thought were embarrasing questions. Not only did I get my questions answered (without feeling like an idiot), but my eyes were truely opened to 'thinking out of the box', and using the knowledge I have already attained in fashion photography and applying it to nature photography. He even spent time with me in Photoshop, confirming some things I knew, and showing me things I didn't. My images today are very different than what I've shot in the past. No light? Get artsy...Harsh Light? use fill....Hate shore birds? try tight portraits of swans.....talk about a killer day. And he was ready to drive back out to Long Island (from Jamaica Bay) and shoot Osprey's with me....I gave up on that due to getting only 3 hours of sleep the night before. (was up at 4am....ack!) I can say this. If you want to 'Raise the Bar', spend some time with him. The guy knows when to share knowledge, and when to back off and let you do your thing. I suspect my images (with repetition) will become significantly better, and I will continue to take workshops with Chas until he gets sick of my fat ass. Thank you Chas for a killer day. I hope my future images 'do you proud'. Regards, I had the distinct
pleasure and privilege to participate in the Black Bear Workshop in
Orr, Minnesota skillfully arranged and managed by Charles Glatzer.
Although I had heard in advance of his uncommon abilities as an instructor,
the experience exceeded by far my expectations. Charles is tireless
as well as knowledgeable and has a unique ability to convey information
to photographers of all levels of expertise. He not only makes himself
available to address any and all questions but also has an uncanny
knack of sensing when you might be considering a question. He will
quietly point out problems with a particular shot that you never realized
existed. Finally, Charles will go out of his way to help each individual
with his or her specific difficulties, spending several hours with
me during noontime lulls to work on my weaknesses in the digital darkroom.
He is personable, most approachable, always available, and lacks the
inflated ego sometimes seen in individuals at the top of their field.
All of this combined withthe superb natural setting and availability
of black bears to photograph makes this workshop a most memorable
and valuable experience. Hello everyone, I've been absent from posting for a while, but this will begin to change. I've just returned from a great "Shoot the Light" workshop at the Triple D in Montana, hosted by Charles Glatzer, and co-hosted by Cheryl Ertelt, both phenomenal photographers whose talent is only surpassed by their being remarkable people. This workshop has totally re-energized my photography and given me many more tools to play with both in capturing the images, as well as, processing them afterward. For anyone considering a STL workshop, I would say think no further, just sign up, you will not be disappointed. This was my second STL workshop with Charles, and I'm already planning more. I continue learn something new every time. Though this may sound like a paid advertisement, trust me, it is not. After 25 years of working in creative fields, it is rare to find a person of Charles talent so capable and willing to share and help others. He is an extraordinary man who is ready and willing to answer any and all questions and share all of his vast experience with you in order to help you achieve your own personal goals with your photography. He truly wants you to be the best photographer you can be. His light hearted, fun loving personality is contagious on these workshops, making the overall experience a more relaxed and pleasant one. I feel truly fortunate to have met Charles and count him among my friends. I suspect all who take his workshops walk away with similar feelings. Brett Breeding "I have been
on at least ten workshops during the past 18 months, two of them with
Charles Glatzer. I always learn something from the workshops and enjoy
the company of other photographers. I was involved with photography
in college but until 18 months ago, had not picked-up a camera in
20 years. Chas, I'd just like to tell you how much I admire your work, I don't want to get mushy or over complimentary here but you have a certain style present in your images that to my eye raise them above natural history documentation into the realms of "art" and provides a real target for me to aspire to. To that end I'm interested in attending one of your courses, I can't do it this year as I've already booked 2 weeks at Glacier National Park, but I plan to come over next year and steal your knowledge. 2002 Having just returned from the STL Winter workshop at the Triple D I feel particularly qualified to make a small comment that might be helpful to anyone considering signing up for one of Chas' workshops. DO IT! I cannot express just how much my photography improved during the four-day workshop in every aspect. I thought that I had a good eye, and I think I have worked hard to make interesting photo opportunities. However, I always felt that the finished image fell in someway short of the ones I imagined in my head. I had the vision but not the technical competence to achieve it. Chas changed all that for me. The things I’ve learnt I’ve been able to apply throughout my workflow, from preparation, composition, exposure and focusing techniques through post production, I now feel I'm able to do justice to the images that present themselves before me. Do not underestimate the value of a group setting either, everyone “sees” the image before them differently and I found the compositional diversity amongst the group inspiring and I learned something from everyone present. In addition, a group is handy to push you out if you are stupid enough to drive off the road at any point ("in" joke – I apologize). My final thought, for what it’s worth, is this – although
I live in England and the traveling is long and expensive - John Swift
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